“Don’t Stop Moving…or You’ll Rust”

This is a page I completed recently, and it’s called, “Don’t Stop Moving…or You’ll Rust!”

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The page was inspired by one of the many beautiful photographs included in my friend and fellow artist Kim Rae Nugent’s new book, Journal Starters Sampler Volume I, which is now available for purchase at Amazon.com.

I believe the words of this piece offer a great reminder for all creative people. While sometimes it feels safe and comfortable to keep on doing what’s known and familiar, an artist’s life must be one of constant change and evolution. When we fall back into the security of old patterns in our life and art, we run the risk of getting bored, growing stagnant, and going nowhere. If we don’t try new things, we can’t develop beyond what we are, or make improvements.

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Everyone prefers to feel safe and comfortable. Everyone likes to feel perfectly competent at what they do at all times. But we can’t enter new places or become more if we don’t dare to travel outside that comfort zone and explore new frontiers.

In recent months I’ve been forced to confront a lot of fear and self-doubt as I’ve started using new tools and techniques in my art and taken on new challenges, especially when it comes to putting my work “out there,” in publications and even here on this blog. Each time I do these things, I wonder if I’ve bitten off more than I can chew, or if I will end up hitting a wall. Whenever I feel this way, I remind myself that because I’m trying something new and not doing the same thing I was doing a year ago, or six months ago, that I’m already successful.

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This page was created with old book pages, gesso, acrylic paint, spray inks, stencils, Washi tape, rub-ons, a vintage Dymo label, letter stickers, text produced on a vintage typewriter, and pens.

Here’s to staying in motion and staying fresh! Be sure to do something new in the week ahead!

 

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“I is for Ignuts”

The newest page in my ABC’s of Alice journal is called “I is for Ignuts.”

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As you can probably imagine, the letter I isn’t exactly the easiest letter for an ABC book. However, I’m quite fortunate that my grandmother happened to own not one, but three cats with the name Ignuts! And so this page is all about them!

Actually, it was Grandpa Mike who came up with this rather unusual name. His ancestors had emigrated to the United States from East Prussia, which was located in present-day Poland. During his childhood, he heard relatives speaking Polish to each other and learned the language from them. My father and aunt have both reported that a large number of Polish words and idioms were part of Mike’s vocabulary, and evidently the name Ignuts was a take on the masculine Polish name Ignatz, which was likely a shortened form of Ignacy. The way Dad explains it, the rest of the family wasn’t crazy about the Polish spelling of the name, so they chose to spell it phonetically.

The three cats, who lived at the home at different times, were known as Ignuts I, Ignuts II, and Ignuts III. They were all long-haired male Persians with black and white coloring, and each of them were treated like royalty. In the vintage photo on this page, my aunt is holding one of the cats; it was taken in spring 1962 on the occasion of my dad’s high school graduation.

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The three Ignutses were mostly indoor cats, but they also took advantage of every opportunity to spend time outdoors. One of them enjoyed sneaking out the back door to find dead birds and mice, and bringing them into the house as “gifts” for Grandma Alice, Grandpa Mike, and the kids. Another Ignuts frequently escaped the house and yard for days so that he could “socialize” with female cats all over the neighborhood (the neighbors were none too pleased about this!). At one point, an entire litter of this casanova’s progeny turned up on my grandparents’ doorstep. According to family lore, this same individual once left the neighborhood altogether and had to be retrieved from the back lot of a bar on Broadway in downtown Sheboygan Falls, where he’d been shacking up with his lady friend and their kittens.

My mom got the chance to get acquainted with Ignuts III when she first started dating my dad. She’d grown up with dogs and cats, but wasn’t a huge fan of felines. They apparently made her very nervous. When this Ignuts became fascinated by her long hair and attempted to smell it, she really freaked out and never allowed him near her again. Needless to say, cats were not allowed in our house when I was a kid. (We ended up with guinea pigs, which were a sort of compromise between my parents. Dad loves them because they purr just like kittens when they’re happy! 😉 )

This page was created on a background of black gesso and stamped white gesso, and contains patterned paper, ephemera, Washi tape, stamps, pigment ink, a heart stencil, a paper doily, a die-cut tag, a piece of canvas trim, rub-ons, stickers, a date stamp, and a vintage photo.

Hope you are all having a wonderful week! We’ll see you soon!

 

 

 

 

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“H is for Home”

The newest page in my ABC’s of Alice journal is entitled, “H is for Home.” The star of this page is Grandma Alice’s house, which she called home for more than 50 years.

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In the early 1940s, my grandfather Mike Pekulik was a newly-married man who dreamed of raising his family in a home that belonged to him. He’d worked for many years as a factory laborer at Kohler Company in Sheboygan County, Wisconsin, and although the majority of his fellow employees chose to live in the carefully designed and strictly regulated village of Kohler (which had been incorporated in 1912 as a model company town), Mike didn’t care to live in one of the cookie-cutter homes that had to be painted a certain color and shared a driveway and garage with the house next door; he also didn’t want to be required to ask the company’s permission to put up a fence or build an addition.

So Mike came to the decision that neighboring Sheboygan Falls was where his house would be. He and his wife Alice purchased some land on the west side of town, on tree-lined Leavens Avenue. The plot would be challenging to build upon, as it was perched atop a steep bank that sloped downward to the street. In fact, the only way to create a viable driveway was to plow right into the bank; the attached garage was built into the side of the bank, and ended up being part of the basement of the home. A fieldstone retaining wall also had to be constructed, to support the bank on both sides of the driveway.

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The Cape Cod home at 224 Leavens was small but cozy. The bedrooms were tiny, but Grandpa Mike and Grandma Alice ensured they’d be uncluttered by adding built-in shelving and cabinets, eliminating the need for extra furniture. The first-floor bedrooms were the smallest, but they saved room by having the builders construct one closet that could be accessed in both rooms. I can remember my sister and I playing hide-and-seek as children, and “disappearing” from one room by sneaking through the closet to the other. In the second floor bedrooms, which had low, sloping ceilings, little mini-closets were built into the crawl spaces behind the walls.

The living room and kitchen were also diminutive in size, but my grandparents added special touches like baseboards and crown moldings to make them fancier. Many of the rooms had beautiful wood floors.

Off the kitchen was a sun porch, where my aunt Karen’s dollhouse sat on a table; decades later, my sister and I enjoyed playing with the fully-furnished antique play set. My parents have the dollhouse today, and each time I see it, I’m always tempted to move the furniture around to the way I arranged it as a kid. Over the sun porch was a second-floor balcony, which Grandma Alice feared would collapse if we played on it, but we did anyhow. I loved standing on it, because the leafy branches of the centuries-old trees in the backyard hung over the railings and provided a secluded spot from which to spy on others without being seen.

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Grandpa Mike wanted a fenced-in yard, but not just any fenced-in yard. He wanted it to be unique, and to fit seamlessly with the house. He asked the builders to design an arch off the left side of the front facade, and placed a gate inside of the arch. A fence extended off to the side and surrounded the entire yard. The fence had been torn down by the time I was born, but I’ve seen photos of it; the arch still remains. He also built a cute little white shed behind the house, which contained his workbench and tools; they remained there long after he passed away in 1973. I remember going into the shed often during my childhood. I loved it because being surrounded by his things made me feel closer to the grandfather I’d never met.

Grandma Alice lived at 224 Leavens Avenue until she died in 1997 at age 87. Some new owners moved in, and then the property changed hands a second time. Recently my sister notified me that the house was on the market yet again. She sent me a link to Zillow, and I was able to see a full gallery of interior and exterior photos of the house. The rooms were almost unrecognizeable. While some of the updates were much needed and made the house appear more modern and spacious, I found myself feeling somewhat dismayed at a few of changes that had been made. I was sad to see that the built-in shelves in a bedroom had been plastered over and covered with drywall, and that some of the crawl space closets had been sealed. Furthermore, it just didn’t seem right that stainless steel appliances had replaced the 1950’s-era stove and refrigerator that Grandma Alice used. Someday I’d like to drive over to the house, knock on the door, and walk through it. I wonder, will it smell the same? Will I feel the presence of my grandparents as I pass from room to room?

This page was created on a background of black gesso with a pattern stamped in white gesso, and contains patterned cardstock and paper, a vintage sales receipt, a scrap from an architectural blueprint, a flash card, a piece of lace, a flower trimmed from paper, Washi tape, stickers, text produced on a vintage typewriter, and a photo of the house.

Thanks again for taking the time to stop by! See you soon!

 

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It is Finished!

This week I observed an important milestone. I finally finished my “Inspire” journal, which has served as my daily journal–and special life companion–for the last five months.

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This is a special journal for me because of the way it began. From 2012 to 2015, I was enrolled in a graphic design program at a local college, while at the same time working 40+ hours a week at my job. For most of those three years, my nights, weekends, and summers were devoted to completing my coursework, and as a result I had little time left over for my personal art pursuits. While I did work in journals from time to time, it certainly wasn’t a part of my daily life because I simply didn’t have the time or energy to invest in it.

After receiving my degree this summer and reclaiming a large amount of free time, I resolved that my number one priority was to resume my daily journaling practice. One day in July I visited the local art store and purchased an 8 1/2 by 11″ Dylusions mixed-media journal, determined to jump right back in. I purchased lots of new supplies and even took a journaling course so that I’d have inspiration to spur me on.

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Unfortunately, the journal sat on a table in my studio for over three weeks. I couldn’t even bring myself to open it. I was totally intimidated and felt paralyzed. It was like all of my creativity had dried up.

I finally started working on the cover, by collaging bits of paper to it. I ended up hating how it looked, so I covered it all with white gesso. After several more attempts in which I covered it with stuff and again covered it over with gesso, I finally decided to forge ahead and apply an image transfer. I found a drawing of a barren tree without leaves (a very fitting symbol for the way I was feeling about my art at that moment!), printed it, and tried to create a gel medium transfer. Of course, it didn’t turn out the first, second, or third times (gotta love those image transfers!), and by that point, I was convinced this journal just wasn’t meant to be, and that it’d be better for me to just toss the whole book in the trash. Even so, I persevered, and the fourth transfer succeeded. After that, I added some of my new spray inks, watercolor crayons, Washi tape, and stickers to finish the cover. While I felt good about that, opening the journal revealed tons of blank pages–and I was struck with fear all over again!

It wasn’t until August 8 that I started my first page. It was, frankly, very frightening. At every moment I was tempted to tear it out and start over. But I didn’t. I forced myself to carry on until it was completed. And from that moment on, I didn’t look back. It was like the dams had been opened, and all of the creative energy that had been pent up for three years burst through and filled the pages, one by one.

This week on January 18, I completed the 27th and final page in the journal. It is finished!

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My favorite view. Filled with color and life!

Besides being a companion and confidante on my journey these past five months, this journal has opened some doors that surely would’ve remained closed had I not decided to swallow my fear and get to work. I overcame my fear of putting my work “out there” by posting my pages to Orly Avineri’s wonderfully supportive Facebook group, A Stand For Art Journaling, and also made many new friends in the mixed-media community. In addition, another mixed-media artist and author saw some of the pages from this journal on Facebook, and invited me to contribute some of my journaling work to her new book project, which was definitely one of the highlights of 2015 for me. (please see my last post from January 20 for more information). Some of the pages in this journal will also be appearing in the spring 2016 issue of Somerset Apprentice magazine.

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What’s next? I recently purchased another Dylusions journal to work in, and also have some old children’s board books I’d like to alter. Whatever I decide to do, I know that I just need to keep going, and not allow silly fears and frustrations to get in the way. Art can create new possibilities in life, but you have to actually make art in order for that to happen.      

Hope you are all having a great weekend, and that art is a part of it!

 

 

 

 

 

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Now Available: “Journal Starters”

Great news from my friend and fellow artist, Kim Rae Nugent! Her brand new book, “Journal Starters: Sampler Volume I,” is now available for purchase on Amazon!

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This book is a must-have for art journalists, from beginner to experienced. It offers thought-provoking prompts and dozens of vibrant visual images to jump-start your creativity and take your pages to the next level!

I’m very excited to be one of the contributors featured in “Journal Starters,” and have greatly enjoyed the experience of working with Kim and the other guest artists!

You can purchase “Journal Starters” right here at Amazon.com!

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“Fly Away”

Today I had a day off from work. It felt great to spend part of it in the studio, working on a few pages in my journals. This is one of them, and it’s called “Fly Away.”

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For the past two days, all of Wisconsin has been stuck in a deep freeze, with temperatures hovering at or below zero and wind chills down to -20. I’ve been staying indoors and feeling trapped, and have been fantasizing about escaping to somewhere warm. I think that’s what led me to explore this subject matter and to reach for such warm, bright, vibrant colors.

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This page was created with vintage papers, old book pages, fluid acrylics, gesso, spray ink, pigment ink, stencils, Washi tape, markers and pens, rub-ons, stickers, and a magazine image.

Thanks for stopping by–and be sure to stay warm!

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“Where is Peace”

The new page in my daily journal is entitled, “Where is Peace.”

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This page arose from a personal struggle that has taken center stage recently.

Sometimes, we’re compelled to endure the difficult challenge of standing up for what we believe is right. We are forced to say and do things that make others uncomfortable and angry, because not to do so is simply wrong.

The truth is, changing the status quo is never easy. Upsetting the apple cart always results in a mess. But nothing better can be built from doing nothing.

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For me, standing up and using my voice has resulted in a loss of personal comfort and peace. I far prefer peace to upheaval and unpleasantness–but I’ve arrived at the point where there’s no other choice. There’s no longer any path around it, so I just have to go through it.

I sincerely hope and pray that a time of peace is close at hand. But in the meantime, I’ll keep up the fight.

This page was created with old book pages and patterned paper, black and white gesso, acrylic paint, spray inks, stencils, found object stamps, mesh, Washi tape, a mailing label torn from an envelope, a magazine image, text typed on a vintage typewriter, and pens.

Prayers to all–for peace!

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“Thankless”

“Thankless” is a new page in my daily art journal.

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For the last 14 years, I’ve been employed in a human services profession within the public sector. It’s highly challenging work. As much as one desires to make a difference and help others, there are many days that it feels as though there are too many insurmountable obstacles standing in the way.

The public you are trying to assist doesn’t support or appreciate your efforts. The government doesn’t provide the funding that is truly needed in order for programs to be effective. Policy makers don’t understand the practical issues you confront on a daily basis. People on the outside don’t recognize the value of what you do, or what society would be like if you weren’t there to do it.

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In the private sector, professionals can expect to be rewarded in tangible ways for a job well-done. There are awards, raises, and promotions. Frankly, it’s very hard, if not impossible, to receive any of these things in my profession, especially now. We’re much more likely to receive complaints and reprimands from those who don’t think we’re doing enough–or to have our insurance and retirement benefits seized from us.

At this juncture, it’s hard to be optimistic about the future. Fewer young people are choosing to enter public service professions, and it’s not hard to see why. All we can hope is that people begin to realize the truth.

Thanks for checking in! Wishing you a positive, productive week!

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“G is for Golden Girls”

“Thank you for being a friend. Traveled down the road and back again. Your heart is true; you’re a pal and a confidante.” Yes, I’ve had this memorable theme song running through my head all week as I’ve worked on the seventh page in my ABC’s of Alice journal, which celebrates Grandma Alice’s favorite 1980’s TV sitcom, The Golden Girls!

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Whenever my parents went out on a Saturday evening during my childhood, Grandma Alice came over to the house to keep an eye on my sister and me, and we all watched the show together. Looking back, it’s easy to understand why it appealed to her. First of all, it was one of the only shows ever produced that focused specifically on the lives of women over 60. Second, the show highlighted the unique problems and concerns of widows; the characters of Sophia, Rose, and Blanche had all lost spouses. My grandmother had been widowed twelve years before the show premiered in 1985. Third, Sophia and Dorothy were an adult mother-and-daughter pair that shared a home, which sometimes strained their relationship; Grandma Alice also happened to reside with her adult daughter, which probably wasn’t always a breeze. Fourth, Sophia had strong connections to the “old world” in much the same way Grandma Alice did. Like Sophia, who was born in Sicily and could speak Italian, Alice had spoken German at home as a child and had close relatives who had been born in Germany.

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My favorite character was always Sophia, because she reminded me most of Grandma Alice. Even today, whenever I watch a rerun of The Golden Girls and Sophia enters a scene, I instantly think of her. Sophia was spry and active well into in her eighties and was fiercely protective of her independence, just like Alice. Sophia was never shy about sharing her true feelings, and at times, she could be quite stubborn; these were also traits that belonged to my grandmother. Sophia did anything and everything to avoid being sent to the oft-maligned “Shady Pines,” and my grandma also found the idea of moving into a nursing home abhorrent. I’m glad she never had to, because I know without a doubt she wouldn’t have thrived in that environment.

This page was created on a background of black gesso and stamped acrylic paint, and contains vintage receipt paper, patterned paper, ephemera, a playing card, a raffle ticket, Washi tape, gingham ribbon, a paper flower, a button, text typed on a vintage typewriter, stickers, rub-ons, a pen, and a photo of the cast of The Golden Girls.

I hope you’re having a wonderful week–and thank you for being a friend!

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“F is for Falls High School”

Here is the second page I created on New Year’s Eve. It’s called “F is for Falls High School.”

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Grandma Alice was a 1928 graduate of Sheboygan Falls High School. She graduated a short time after her 19th birthday in May of that year.

In the late 1920’s, most states required that all students attend high school, but only until they’d reached age 16. A large number of students did not continue all the way to twelfth grade, much less graduate. Many left school early to assist in supporting their families by working in factories or on farms.

Grandma Alice’s parents placed a high value on education, and strongly believed all three of their daughters should attend high school–and earn their diplomas. It wouldn’t be easy, however. Their farm was located on an unpaved road several miles from the nearest high school, and the modes of transportation available at the time were far from fast or reliable, especially during the treacherous Wisconsin winters.

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Fortunately, one of Alice’s aunts, who had married into a well-off family, presented a viable option. She and her husband ran a dry-goods store in nearby Sheboygan Falls, and offered to allow Alice and her sisters to board with them in their residence above the store during the school year while they attended Falls High, which was considered to be one of the best in the area. This meant that each Sunday, the girls’ father would drive them (usually in a horsedrawn buggy or sleigh) eight miles to town, and then pick them up the following Friday so they could return to the farm for the weekend.

I remember Grandma Alice telling me that she hadn’t been in favor of the proposal at first because she didn’t want to be separated from her parents, but it turned out to be a good situation for her. She adjusted well to city life. She was able to walk to and from school, participate in extracurricular activities, and socialize with her many friends. She could go to the movies and attend parties and dances.

There were only 35 students in Grandma Alice’s graduating class. Here is the description that appeared next to her photograph in the 1928 yearbook, Pangissin, which she helped to publish:

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Falls High School would play a prominent role in the history of my family. My father and aunt would graduate from SFHS in the early 1960’s, and my sister and I would be third-generation Falcons. By the time I graduated from Falls in the late 1990’s, each class had approximately 120 students, and the kids who lived on the same rural road where my grandmother had grown up were able to jump in their cars and arrive at school in fifteen minutes. Unfortunately, Grandma Alice passed away during my senior year, only six months before I was set to walk across the stage and receive my diploma–69 years after she’d received hers.

This page was created upon a background of black gesso and stamped acrylic paint. It features patterned paper in the school colors of purple and gold, vintage textbook pages, a vintage high school class schedule from the 1928-29 school year, a scrap from a shorthand exercise book, ephemera, lace, Washi tape, a lace flower, rub-ons, stickers, a photo corner, and a white gel pen; Grandma Alice’s graduation photo serves as the focal image.

Thanks for stopping by! Have a great weekend!

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